Miles Kane has revealed the official video for "Don't Forget Who You Are", the title track from his upcoming sophomore album. The song is part of our current playlist www.koolrockradio.com.
Check out the video below.
“For now, there won’t be any clip. The record was made in a pretty old-school studio. We’re going to rediscover the spirit of the great spectacles of giant billboards on Sunset Boulevard for bands like Love, The Doors, Led Zeppelin. On certain TV shows, we might show 15 or 60 second spots.
“Firstly, we don’t want to influence people’s ideas [of the music] with images. Second, most of the records we like and that are the source of inspiration for this record, those are pre-MTV albums. You’ve got the sleeve, lots of pictures and info, that’s all, and the absence of visuals around The Beatles doesn’t bother us, and in fact makes their music more accessible to us. ‘Thriller’ is the ultimate masterpiece. After that, it won’t be the same anymore, because of video clips.
“Our vision is this - ’There you go. The record’s here. Listen to it, dive into it, and we’ll see after.’”
"The Hidden World Revealed takes you from the early days of recording in Michael Quercio’s garage to the days leading up to Arrive Without Traveling and beyond. A combination of the well-known and the unknown. The completist guide to The Three O’Clock — ten years in the making 30 plus years of recording. . . whoosh!"
The new Visage record 'Hearts And Knives' is dedicated Martin Rushent.
For those of you who don’t know, Martin Rushent died in June 2011 and was one of England’s finest ever record producers. He is best known for his work producing 'Dare' by The Human League, however in his time he also worked with The Stranglers, Shirley Bassey, The Buzzcocks and many more. In 1978, shortly after formed Visage, Martin signed our first ever single 'Tar' to his Genetic Recordings record label. We went on to record our first album at his then new Genetic Studio. In those days it all was a bit embryonic; new gear, in a new studio with us learning as we went along. Martin would pop his head around the door a few times a day “Hi Chaps, how is it going?” as we struggled with some piece of studio gear.
In 2010 we approached Martin to take on an executive producer role for our (at that time) nascent album idea. He kindly accepted and was more than happy to discuss production templates, song ideas and the general direction of the album. He was also halfway through a new version of 'Frequency 7' at the time of his death. Although Martin was unable to see his work through on 'Hearts and Knives' you may notice that some of his mantras, thoughts and ideas have percolated into the fibre of the record. The instrument choices, direction & the musical styling’s are all references to him.
Thank you Martin for your immense help in getting us started in 1978 and everything since.
Martin Rushent (11 July 1948 – 4 June 2011) |